[IMC Bombay] Indian Modernity
Mangesh Kulkarni
digson63 at hotmail.com
Thu, 17 Apr 2003 06:42:09 +0530
Constructing Post-Colonial India: National Character and the Doon School -
Sanjay Srivastava, London & New York: Routledge, 1998, pp. 259.
Reviewed by Mangesh Kulkarni in The Australian Journal of Anthropology,
14:1, April 2003
The Doon School (Dehra Dun, Uttar Pradesh)–a high-profile residential school
for boys–is one of the key institutional sites of modernity in post-colonial
India. It is therefore quite appropriate that Sanjay Srivastava should seek
“to provide an ethnography of Indian modernity” (p. 1) by explicating the
School’s discursive dynamics.
More specifically, the book deals with four main issues: rationality,
secularism and ‘metropolitanism’ (these are treated as cultural
qualifications for citizenship), and the reality of the larger civil
society. The first chapter of the book explores the socio-political world of
the elite coterie that contributed to the founding of the School in 1935.
Seeking to model the School on the English public school system, they
manoeuvred deftly between imperial loyalty and an anti-colonial stance,
between entrenched feudal interests and emerging bourgeois concerns. An
Englishman, who had earlier taught at Eton, was appointed as the first
Headmaster of the School and shaped its regimen (which was widely emulated
by other public schools in India) geared to the cultivation of “character,
intellect and physique” (p. 42) in the service of the nascent nation.
The second chapter focuses on the Mayo College (Ajmer, Rajasthan) that was
founded in 1875 for providing suitable education to the sons of the native
princes. The physical ambience and social space of the College were so
structured as to embody British cultural paramountcy–“unfettered cultural
encroachment upon existing forms by a paramount power” (p.50). The resulting
feudal pattern of accommodation emphasised traditionalism, religiosity,
physical manliness and hierarchy. The Doon School broke with this pattern by
projecting ‘post-colonised’ bourgeois notions of rationalism, secularism,
intellectual manliness and egalitarianism. The third chapter critiques the
School’s construct of scientific rationality that is evident both in its
architecture and modus operandi. According to Srivastava, the construct
abstracts social stasis from “entrenched forms of structural oppression” (p.
61) like class, caste and gender, and attributes it to the absence of a
‘scientific temper’ among the masses. Thus, the spirit of science is
surreptitiously assimilated to the exigencies of capital, and the
upper-caste bourgeois male is seen as its natural bearer.
The proud claim of the Doon School to a modern secular-nationalist vision
(vis-à-vis the supposedly primordial otherworldly-communal mindset of the
hoi polloi) is scrutinised in the fourth chapter. Srivastava argues that in
stark contrast to the lived, everyday ecumenism frequently encountered among
the common people, the School’s ethos is actually suffused with the symbols,
ceremonies and axiology of Hinduism. This Hindu contextualism–“an acceptance
of Hindu contexts as multi-religious” (p.126)–stems from larger nationalist
discourses and unwittingly resonates with the worldview of the Hindu
chauvinist organisations. The fifth chapter explains the pioneering role
played by the School in supplying the cultural capital of colonial
metropolises like Calcutta to the upper-caste middle classes of the
hinterland, best exemplified by the Arya Samajist technocrats inhabiting the
canal colonies of Punjab. In the process, the School enabled a section of
the provincial intelligentsia, which “had traditionally played a limited
role in the political and cultural economy of the state” (p. 140) to gain
national prominence. This gain was consolidated in the post-Independence
years.
In the sixth chapter Srivastava investigates the Doon School’s self-image as
a microcosmic metropolis–a contractual, cosmopolitan, masculine space
incarnating and disseminating modernity. A critical inspection of this
“fetishism of the metropolis” (p. 168) reveals its exclusionary logic
leading to the ideological and social marginalisation of the subaltern
strata. The concluding section of the book contains a theoretical reprise.
Locating his critique at the intersection of Marxism and
post-structuralism/post-colonialism, Srivastava underscores the heuristic
significance of “post-colonised national forms” (p. 195) such as the Doon
School. He then presents the School as a phantasmatic civil society through
an expose of its self-serving espousal of ‘excellence’ and ‘secularism’
against the backdrop of contemporary controversies surrounding quotas for
Other Backward Classes and the demolition of the Babri mosque respectively.
The School’s adroit strategies of mobilising support and managing dissent
are also discussed. The book ends with a coda on the growing pertinence of
the Doon model to the requirements of the classes aspiring to join the
‘globalisation’ bandwagon.
As the foregoing account indicates, the sweep of the book is fairly broad,
with the author moving nimbly from a nuanced description of the School to
wider theoretical and thematic concerns. Going far beyond the ‘sociology of
education’ framework, the study marks a noteworthy intervention in the
academic debate on India’s tryst with modernity. In particular, it makes an
important contribution to the slowly growing corpus on the manifold
ramifications of masculinity in the Indian context. Srivastava’s apt
analytical deployment of Hindi literature and cinema deserves commendation.
His innovative inflection of concepts drawn from key theorists like Gramsci,
Bakhtin, Foucault and Baudrillard is also exemplary. The manner of
presentation, though somewhat ponderous and manifesting a proclivity to
repetitiveness and neologism, nevertheless has a stylishness of its own,
which is most evident in the occasional flashes of a wry wit.
All this is not to say that the book is flawless. Srivastava should have
given adequate attention to the curriculum and pedagogical practices of the
School, instead of nearly occluding them on a priori theoretical grounds. A
more methodical mapping of the country’s complex educational landscape would
also have been in order. A comparative examination of similar schools in the
post-colonial sphere–the Kamuzu Academy of Malawi (though not an exclusively
boys’ school), touted as ‘the Eton of Africa’ is an example that readily
comes to mind–would have further enhanced the scope and value of the
inquiry. Finally, a word about the deeper premises and telos underlying the
book. The study derives its critical edge from an unrelenting focus on “the
articulation of a regime of post-colonial capital with the cultural-politics
of post-coloniality” (p.1). However intellectually appealing such a
marxisant form of radicalism might appear in the cloistered academe, its
practical political purchase seems increasingly suspect in the world at
large.
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